All posts by admin

Take Care: The Force of Fierce Compassion

I’m backing up to fill in now, because I made this large, poster-sized print about healthcare heroes in the midst of the COVID-19 pandemic lockdown in 2020 (I am writing now in March 2022). Most of the perSISTERS are 11 x 14 inches, but this one is 18 x 24. I wanted to feature more than one person.

Here is a link to order this online.

TAKE CARE for Shuping Wang, Lauren Leander, Florence Nightingale, Nita Pippins, Edna Adan Ismail, and Sara Josephine Baker, an extra large perSISTERS print in the Female Power Project

Shuping Wang

In the 1990s, despite threats and violence, Dr. Shuping Wang twice refused to be silent about the unsafe practices and cover-ups at the profitable plasma collection centers in China. About three million poor people regularly sold their blood through Henan’s Plasma Economy Project. One deadly practice: different donors’ blood was mixed together after it was drawn, and, once the plasma was extracted, the remaining mixed blood was reinjected into the donors. As a result, first Hepatitis C and then HIV epidemics killed over one million people. Because Wang spoke out, safety practices were put in place, which reduced profits, but saved the lives of tens of thousands of people. “Being a medical doctor, my primary interest is to my patients and to the public, not to myself. Speaking out cost me my job, my marriage and my happiness at the time, but it also helped save the lives of thousands and thousands of people.” She immigrated to the U.S. in 2001, remarried, and worked as a medical researcher at the University of Utah. She died in 2019.

Lauren Leander

April 20, 2020: pictured in a viral photo on social media, Lauren Leander, a critical care nurse in Arizona, stands in silent counter-protest at a rally against the stay at home order designed to relieve pressure on healthcare services during the COVID-19 pandemic. She was subject to threats and intimidation, but she stood firm. “We were there to be a voice for our patients and the immunocompromised and the people who are sick with COVID that would be out there fighting with us, if they could, asking people to follow the stay at home rules.”

Florence Nightingale

Called both “Lady With the Lamp” and “Lady With the Hammer,” Englishwoman Florence Nightingale was the epitome of the merciful and fierce care-giver. During the Crimean war (1853–56), she used a lamp at night to check on the sick soldiers under her care. She also used a hammer to break down storeroom doors when commanders withheld vital supplies. She saved thousands of lives by insisting on good sanitation and proper hygiene in her hospital, and later in city planning. She was a pioneer in using statistics and information graphics for communicating about public health. She was most influential through her efforts to professionalize the nursing profession as medical care, not simply sanitation work.

Nita Pippins

A retired nurse in Florida, in 1987 Nita Pippins moved to Manhattan to care for her gay son who was dying of AIDS. Originally ashamed of the diagnosis and of her son’s sexuality, she kept the news from her family and friends, and she also felt out of place in the city. She took care of her son for three years as his health failed, and she saw his friends, neighbors, and colleagues decline and perish in that epidemic. Many had been rejected by their families. Her perspective changed when she became a part of her son’s community. After he died she stayed in New York and dedicated herself to AIDS causes. She gave emotional and logistical support to the parents of the afflicted and became a replacement mother to sick men estranged from their families, sometimes holding their hands while they died. Pippins died alone of COVID-19 on Mother’s Day, 2020.

Edna Adan Ismail

Born in 1937, Edna Adan Ismail was the first Somali woman to study in Britain. She returned to Somaliland as its first professionally trained nurse and midwife, where she had to fight to be paid for her work at a government hospital. Eventually she became the first female director of the Ministry of Health in Somalia. When civil war broke out she left her country to work for the World Health Organization in Djibouti, where she helped pass legislation outlawing Female Genital Mutilation (FGM). Later she used her own money to purchase land and, with the help of donors and the Friends of Edna’s Hospital Foundation, she opened Somaliland’s first maternity hospital in 2002. The hospital targeted maternal mortality, which, because of the lack of prenatal care and the complications from FGM, was the leading cause of death among women of reproductive age. The hospital has trained hundreds of midwives and delivered tens of thousands of babies, while also treating people for other health issues. In her 80s, Ismail continues to work hard to save the lives of new mothers and to end FGM.

Sara Josephine Baker

“The way to keep people from dying from disease, it struck me suddenly, was to keep them from falling ill. Healthy people don’t die. It sounds like a completely witless remark, but at that time it was a startling idea. Preventative medicine had hardly been born yet and had no promotion in public health work.”

In 1898 Sara Josephine Baker graduated from medical school and, after working in private practice for a short while, launched a career in public health. She twice helped to track down Mary Mallon, a healthy carrier of typhoid famously called “Typhoid Mary.” Baker was offered an opportunity to reduce mortality rates in Hell’s Kitchen, a New York City slum where 4,500 people were dying each week at the turn of the 19th century. She focused on reducing the 1,500 weekly infant deaths, most of which were caused by poor hygiene and parental ignorance. She pioneered programs to educate mothers and to professionalize the practice of midwifery. She developed techniques to reduce the rate of infant blindness from 300 per year to 3 per year. She made sure that good quality pasteurized milk was available to families and used the public schools to provide health care and nutrition. In 1917, Baker became the first woman to receive a doctorate in public health. Her work prevented the deaths of tens of thousands of children.

HOLD SPACE — perSISTERS design for the creatrices of Black Lives Matter

A digital original print design showing three women who started Black Lives Matter. "#BLACKLIVESMATTER" in the background; the largest type says "HOLD SPACE", and the smaller type says "In 2013, three radical Black organizers — Alicia Garza, Patrisse Cullors, and Opal Tometi — created a Black-centered political will and movement building project called #BlackLivesMatter." which is a quote from blacklivesmatter.com/herstory. The smallest type is the photo credit: "Photo credits, top to bottom: Alicia Garza, Citizen University, 2016; Patrisse Cullors (May 2015) and Opal Tometi (August 2015), The Laura Flanders Show" and the project credit and artist's website and the creative commons license.

Did you know that Black Lives Matter was started by three women? It was a hashtag at first, a technology for rhetoric, a verbal key that makes a place for an idea to aggregate. And what a large and multitudinous, profound and simple idea it is! The message I distilled for this artwork is “Hold Space.” These words come from the text on the Black Lives Matter website. You should all go there and read all the words there. They are clear, beautiful, powerful. Perfect.

“Hold Space” I think points to the openness that #BlackLivesMatter allows. It is a coalescing medium, a place that is not occupied the way Rosa Parks performed her rhetoric, whose message I stated as  “Take Up Space” in another perSISTERS print. I think it is interesting to contrast “Hold Space” with “Common Ground,” another phrase that seeks some kind of reconciliation between differences. “Common Ground” implies a defined space between determined territories, and I submit that this phrase claims space for the privileged, whereas “Hold Space” implies, among other things, a holding back of privilege. Clearly, this message is about history from within history — which is not clear — and time will allow us to name it.

You can find this design for sale on my Etsy site, here is the listing. For this piece I am donating my creativity, time, and materials, so what you pay goes to Black Lives Matter DC and the US Postal Service (and to Etsy for fees).

The following words come from blacklivesmatter.com/herstory:

“In 2013, three radical Black organizers — Alicia Garza, Patrisse Cullors, and Opal Tometi — created a Black-centered political will and movement building project called #BlackLivesMatter. It was in response to the acquittal of Trayvon Martin’s murderer, George Zimmerman.

The project is now a member-led global network of more than 40 chapters. Our members organize and build local power to intervene in violence inflicted on Black communities by the state and vigilantes.

Black Lives Matter is an ideological and political intervention in a world where Black lives are systematically and intentionally targeted for demise. It is an affirmation of Black folks’ humanity, our contributions to this society, and our resilience in the face of deadly oppression.

As organizers who work with everyday people, BLM members see and understand significant gaps in movement spaces and leadership. Black liberation movements in this country have created room, space, and leadership mostly for Black heterosexual, cisgender men — leaving women, queer and transgender people, and others either out of the movement or in the background to move the work forward with little or no recognition. As a network, we have always recognized the need to center the leadership of women and queer and trans people. To maximize our movement muscle, and to be intentional about not replicating harmful practices that excluded so many in past movements for liberation, we made a commitment to placing those at the margins closer to the center.

As #BlackLivesMatter developed throughout 2013 and 2014, we utilized it as a platform and organizing tool. Other groups, organizations, and individuals used it to amplify anti-Black racism across the country, in all the ways it showed up. Tamir Rice, Tanisha Anderson, Mya Hall, Walter Scott, Sandra Bland — these names are inherently important. The space that #BlackLivesMatter held and continues to hold helped propel the conversation around the state-sanctioned violence they experienced. We particularly highlighted the egregious ways in which Black women, specifically Black trans women, are violated. #BlackLivesMatter was developed in support of all Black lives.

In 2014, Mike Brown was murdered by Ferguson police officer Darren Wilson. It was a guttural response to be with our people, our family — in support of the brave and courageous community of Ferguson and St. Louis as they were being brutalized by law enforcement, criticized by media, tear gassed, and pepper sprayed night after night. Darnell Moore and Patrisse Cullors organized a national ride during Labor Day weekend that year. We called it the Black Life Matters Ride. In 15 days, we developed a plan of action to head to the occupied territory to support our brothers and sisters. Over 600 people gathered. We made two commitments: to support the team on the ground in St. Louis, and to go back home and do the work there. We understood Ferguson was not an aberration, but in fact, a clear point of reference for what was happening to Black communities everywhere.

When it was time for us to leave, inspired by our friends in Ferguson, organizers from 18 different cities went back home and developed Black Lives Matter chapters in their communities and towns — broadening the political will and movement building reach catalyzed by the #BlackLivesMatter project and the work on the ground in Ferguson.

It became clear that we needed to continue organizing and building Black power across the country. People were hungry to galvanize their communities to end state-sanctioned violence against Black people, the way Ferguson organizers and allies were doing. Soon we created the Black Lives Matter Global Network infrastructure. It is adaptive and decentralized, with a set of guiding principles. Our goal is to support the development of new Black leaders, as well as create a network where Black people feel empowered to determine our destinies in our communities.

The Black Lives Matter Global Network would not be recognized worldwide if it weren’t for the folks in St. Louis and Ferguson who put their bodies on the line day in and day out, and who continue to show up for Black lives.”

The print says “#BLACKLIVESMATTER” in the background; the largest type says “HOLD SPACE”, and the smaller type says “In 2013, three radical Black organizers — Alicia Garza, Patrisse Cullors, and Opal Tometi — created a Black-centered political will and movement building project called #BlackLivesMatter.” which is a quote from blacklivesmatter.com/herstory. The smallest type is the photo credit: “Photo credits, top to bottom: Alicia Garza, Citizen University, 2016; Patrisse Cullors (May 2015) and Opal Tometi (August 2015), The Laura Flanders Show” and the project credit and artist’s website and the creative commons license.

Update intro from my email blast

Here’s the link to my plague year 2020 email: “mothering is just one of my superpowers.”

Here’s the news from me. I’m getting back to my work after recovering from Covid-19. I had a mild case and the doctor recommended I not get tested because “that’s where the sick people are.” (!) For over a month my work has been to get healthy and I think I’m finally there. Now I’m looking out at my prospects, blinking.

The market landscape for self-produced artists like me has been completely decimated. I have relied on large-crowd gatherings to sell my work directly and interact with my visitors (this performance is at least half of the Project) and I don’t see those gatherings coming safely back until, perhaps, next year. I am putting more of my works on my Etsy site at FemalePowerProject.com so that even though you cannot experience the “Female Power Hut” (my market installations) you can at least buy some of the things. This email is showing some of the things appropriate for Mother’s Day, May 10, the next holiday here in the U.S. There are many more things on the shop and even more works showing on my blog (here!).

After it is safe to open for business in DC I plan to make over my retail(ish) studio, Black Lab, into a Female Power Project environment and allow visitors by appointment. I will also explore ways to depict the studio environment in other more distributed ways on social media. If you haven’t already, I invite you to see my more visual presentations on Instagram at these handles: @LedaBlackArtist and @TheFemalePowerProject. You can follow my more word based presentations on Facebook at these feeds: facebook.com/BlackLab and facebook.com/FemalePowerProject.

When it comes toward Fall I will be publishing a book about the Female Power Project. This will be integrated into the next calendar. I’ve just started work on that writing. I will be posting installments on facebook.com/FemalePowerProject.

Thanks for reading. Stay Strong.
—Leda Black, creatrix at Female Power Project