Category Archives: Come and see this

Stay Strong (for Blasey and Hill)

Stay Strong — #FemalePowerProject perSISTERS print honoring Christine Blasey Ford and Anita Hill

It took me a long time to figure out what to write, and to write it. Writing is hard. I package all my prints with stories on the back. “It’s not a test,” I tell people…

This is an artwork about two strong women who faced similar tests, 27 years apart. Their stories challenge the stature of powerful men and highlight the costs of privilege. The social forces moving into and radiating out from the moments depicted in this work are so complex, far reaching, and unfinished, that I scarcely know where to start writing about them here. To write the unravelling of the racial component alone could fill an encyclopedia. To simply repeat the narrative that is available to anyone with an internet connection would be tedious, and I don’t have the heart for it. So I’ve decided to crop in, to focus on these people and mostly on the message.

When I read about Anita Hill and Christine Blasey Ford I was astonished and discouraged by the terrible price they paid for telling the truth. In a nutshell, they became exiles. They receive huge outpourings of support, but still they are targeted by haters in the most outrageous ways. To anyone who is interested in the fundamentals of tragedy—this is it, right here. Here is the individual called to doomed moral action against huge, crushing, and unfair forces—forces that used to be called the gods. Irony rains down from above. Behold the hero who succeeds within failure, by staying strong. Where is the success? As Rebecca Solnit argues compellingly, we cannot know the far-reaching results of moral actions. Sometimes the goal we think we are acting toward—for example, stopping a Supreme Court nominee—is smaller and less important than an actual felicitous outcome. And as in Biblical tragedies, it may take more than one generation to reach the promised land. We can’t know for sure while we are acting. That is why we need to keep acting according to just principles and support each other in our struggles, in the ways we can and know how to do. It takes time.

Our heroes do not accomplish the work, they embody the message. A message is one of the more powerful things that can motivate groups of people with shared values—or at least significantly overlapping values—to work together. Not many of us can withstand the pressures that Hill and Blasey gracefully withstood, but many of us can work together so that fewer of us will have to. After Anita Hill faced her test, more women than ever before ran for political office, and many of them won. I’m pretty sure that’s not what she had in mind when she was testifying. But I count that as a victory.

The protests in front of the Supreme Court building during the Blasey hearings were not really about the nominee. I went there thinking about the nominee and how he should be held to a higher standard. But I soon realized that we were not there for him. We were there for each other—for the other women there—and especially for those there who were moved to say “me too” (both women and men)—those who had experienced sexual assault and the shame and pain of telling their stories. When I was there I saw a woman alone—she was not saying “me too” when prompted—but she did hang her head weeping when she heard the speaker say, “you don’t have to say it if you’re not ready.” I was alone too. I touched her shoulder to comfort her, but I’m not sure I should have done that. This also is a scene from classic tragedies: the chorus of weeping women.

DESIGN NOTES
The aqua color comes from the suit that Anita Hill wore during her testimony (this source photo [sixth frame in slide show] credit Greg Gibson/AP). In the photo of Dr Blasey that this print is based on (credit WiMcNamee/AP), she is centered under an elaborate wall clock with radiating lines outside its face. I was struck by the image’s similarity to Byzantine mosaics I’ve seen representing saints: the hand raised in benediction, the halo behind the head. I think of the clock circle in this print as a representation of the female power of persistent strength that both Professor Hill and Dr Blasey share. And indeed, Hill spoke in support of Blasey before the hearing, in a sense bestowing her benediction on the new witness. In this print she does this through time, as her 1991 self. It was a design problem to put the two figures in relation, and the clock circle was the key to this. Clocks represent time (obviously) and the key message used to fight sexual harassment in particular institutions right now is “time’s up.” Time’s up … it’s time … it’s about time.

Here are some interesting things I found while researching these stories. I only scratched the surface:

From “A Love Letter to Dr. Christine Blasey Ford” by me too. (https://metoomvmt.org/a-love-letter-to-dr-christine-blasey-ford/)

“… Our generation has found in you what those before us found in Professor Anita Hill:
a heroism based not on greed, ego, violence, and self-serving nationalism but truth, vulnerability, and the courage to sacrifice one’s own safety for the greater good. When you stood there in front of us, Dr. Ford, we found a heroism we could not only believe in, but become.

Then you began testifying. You remained steady, brilliant, and brave.
You answered every question carefully, thoroughly, honestly.
When you didn’t know, you said “I don’t know,” and you let that stand.
When you said “indelible in the hippocampus is the laughter, the uproarious laughter,” our spines straightened and we remembered that while our stories
are different, our battle is the same.

We are at war with that kind of laughter.
As we inched closer and closer to our televisions, the hurt versions of ourselves we’d tucked away peeked out of their boxes to watch a hero speak for them. We reminded ourselves, each other, and you—to breathe.
Our love went out to you from every inch of the globe and somehow, all that energy connected. That day, we became freshly united.

Dr. Ford, the result of your testimony runs deeper and wider than who sits on that court seat.

You showed a world of discounted people what courage looks like. You showed us that survival is ongoing and that the journey, while fraught, is also essential. You reminded us that we are neither powerless nor alone because we have the truth—and we have each other.

Your sacrifice was not made in vain.
Like you did, we will continue to show up for ourselves and each other.
We will bring all of ourselves—our pain, fear, and anger—and we will stand in front of power and we will tell the truth. Even if we shake: we will tell our stories….”

Jane Mayer writes, in New Yorker November 1, 2017, talking about Anita Hill’s story and the Harvey Weinstein sexual-harassment scandal, and comparing it to Trump’s ineffectual accusers (even after the “grab them by the pussy” recording surfaced). “Sexual harassment is about power, not sex, and it has taken women of extraordinary power to overcome the disadvantage that most accusers face. As Susan Faludi, the author of Backlash: the Undeclared War Against Women, put it in an e-mail to me, ‘Power belongs only to the celebrities these days. If only Trump had harassed Angelina Jolie . . .’”
https://www.newyorker.com/news/news-desk/anita-hill-on-weinstein-trump-and-a-watershed-moment-for-sexual-harassment-accusations

Any search will bring you video of Dr Blasey’s testimony. Here is a link to her written testimony:
https://en.wikipedia.org/w/index.php?title=File:2018_09_26_Written_Testimony_of_Dr_Christine_Blasey_Ford.pdf&page=5
Here is a link to Hill’s 1991 testimony on c-span: https://www.c-span.org/video/?22097-1/clarence-thomas-confirmation-hearing

Here is a brilliant summary looking back on Hill’s testimony by Liza Mundy in Politico, September 23, 2018. The link: https://www.politico.com/magazine/story/2018/09/23/rewatched-anita-hill-testimony-kavanaugh-metoo-220526
And a quote: “If there is one note of hope in the whole mess, it is this: Much as Hill’s reputation was smeared in 1991, there are women, and men, who would argue today that she is an exemplar. For me, she is up there with Rosa Parks: courageous, staunch, calm, not to be moved. Rewatching the hearings is like rereading Anna Karenina and realizing, once more, how brilliant it is—and for different reasons than you perceived the first time. She was there to prophesy, articulating patterns of behavior that much of the rest of the country would take decades to pinpoint and understand.”

ORGANIZE honors Dolores Huerta

Dolores Huerta perSISTERS Feminist Art #FemalePowerProject
ORGANIZE — #FemalePowerProject perSISTERS poster honoring Dolores Huerta

Dolores Huerta is profoundly gifted with the skills of listening, speaking, inspiring, and negotiating. These, along with courage, persistence, dedication to non-violence—and fed by her love of people—make her one of the most successful community organizers ever. I didn’t think organizing could be such an amazing thing until I started researching Dolores Huerta. I can only sketch in some details about this amazing woman here. I urge everyone to watch a recent documentary about her called “Dolores” (2018). I have started with some quotes of Huerta’s, then sketched out some of her history. I have pasted some links to my sources below.

To begin, you should understand that the migrant farm workers in the US around 1960 were subject to deplorable and shocking living and working conditions.
Dolores Huerta on organizing:
“It is rarely practiced today because it is tedious and time consuming. However, the results are long lasting and while people are in the process of building organization, they are learning lessons they will never forget and the transformative roots are planted. The fruit is the leadership that is developed and the permanent changes in the community. In other words, this is how grass roots democracy works.”

“…giving them the confidence they needed through inspiration and hard work. Educating them for months to realize that no one was going to win their battle for them. That their conditions could be changed by only one group of people, themselves.”

Huerta’s first occupation was as a teacher in California: “I couldn’t tolerate seeing kids come to class hungry and needing shoes. I thought I could do more by organizing farm workers than by trying to teach their hungry children.”

From the documentary film: “I used to think it was wrong to take credit for the work that I did. But I don’t feel that way any more.”

Dolores Huerta on learning about the history and dignity of your own people (this is in the context of Arizona eliminating ethnic studies in the schools and erasing Dolores Huerta from their history curriculum): “All that a person has is their story. If you deny their story you take away their power.” (Of course this resonates with me and my work!)

Dolores Clara Fernández Huerta (born April 10, 1930, in New Mexico) is a Mexican-American labor leader and civil rights activist who, with Cesar Chavez, was the co-founder of the National Farmworkers Association, which later became the United Farm Workers (UFW). Huerta helped organize the Delano grape strike in 1965 in California. In 1966, Huerta and her fellow organizers led a 300-mile march from Delano to the state capitol in Sacramento to focus media attention on the strike. In 1966, she negotiated a contract between the UFWOC and Schenley Wine Company, marking the first time that farm workers were able to effectively bargain with an agricultural enterprise. But what made the largest impact was the nationwide grape boycott, which Huerta went to New York to organize there. While in New York, Huerta worked with feminists like Gloria Steinem, and they influenced each other greatly. Huerta embraced feminism, and Steinem realized that the women’s movement should try harder to include people of color. The grape boycott was successful. The entire California table grape industry signed a three-year collective bargaining agreement with the United Farm Workers in 1970. Furthermore, in 1975 the California Labor Relations Act was signed, the first law in the country that recognized the right of farm worker unions to negotiate contracts with the agricultural industry.  Huerta originated the rallying cry, “Sí, se puede” which she and Cesar Chavez used during a 25-day fast in Phoenix, Arizona, trying to organize farm workers to demand fair wages and better working conditions. It means, “Yes, it can be done.” Huerta created the phrase because people kept telling her, no, you can’t do that, it is not done: “No se puede.” But two negatives make a positive, and saying “no” to a no, means saying “Yes,” yes, it can be done. And she did it. Over the years, “Sí se puede” has also been adopted by other civil and labor rights groups involving Latinos around the country. It was adopted also by Senator Obama during his presidential campaign. In 2012, President Obama awarded Huerta with the highest civilian award in the United States, The Presidential Medal of Freedom. Upon receiving this award Huerta said, “The freedom of association means that people can come together in organization to fight for solutions to the problems they confront in their communities. The great social justice changes in our country have happened when people came together, organized, and took direct action. It is this right that sustains and nurtures our democracy today. The civil rights movement, the labor movement, the women’s movement, and the equality movement for our LGBT brothers and sisters are all manifestations of these rights. I thank President Obama for raising the importance of organizing to the highest level of merit and honor.”The Female Power Project supports causes that resonate with the stories of the females featured. Using her unrestricted gift of $100,000 from the Puffin Foundation, Huerta started a foundation to train people to do community organizing. I urge everyone to support The Dolores C. Huerta Foundation (as I have).  http://doloreshuerta.org/

SOURCES
https://en.wikipedia.org/wiki/Dolores_Huerta
http://doloreshuerta.org/dolores-huerta/
http://eloquentwoman.blogspot.com/2015/09/famous-speech-friday-dolores-huerta-at.html
https://awpc.cattcenter.iastate.edu/2017/03/09/nfwa-march-and-rally-april-10-1966/
https://libraries.ucsd.edu/farmworkermovement/media/oral_history/ParadigmArchive/arc%2029.pdf
https://www.aarp.org/politics-society/history/info-2004/interview_dolores_hurerta.html
https://www.amazon.com/Dolores-Huerta/dp/B07F5FXP71/ref=sr_1_2?ie=UTF8&qid=1535663112&sr=8-2&keywords=dolores+huerta
https://insider.si.edu/2018/04/dolores-huerta-a-latina-civil-rights-icon/

Emma Gonzalez Uses Her Silence

Here is a another design honoring Emma González. My first highlighted her fierce use of words. This design highlights her fierce use of silence. It is compelling to be making these messages as history is unfolding. I finished this design on April 6, 2018.

FIGHT for your LIFE — #FemalePowerProject perSISTERS poster honoring Emma González (part 2)

The image of González’s profile is based on an Instagram photo posted by one of her high school comrades and fellow activist, David Miles Hogg, who is also a stunning and wise speaker. His account is at https://www.instagram.com/davidmileshogg/

Emma González and many of her comrades have embarked on a passionate and wise campaign to reform gun laws in the U.S. They were responsible for organizing one of the largest marches in U.S. history, the “March for Our Lives,” on March 24, 2018 in Washington DC. It was too big for a march, in the same way the Women’s March of 2017 was too big. People were crowded together in the allotted space and we couldn’t move from one point to another as a group. We stayed put and it was rivetting to watch these young people (all young people!) perform their conviction and trauma on stage and screen.

Many Parkland students and young guests spoke well. Emma González was stunning because she held a silence after her short speech, so that her time on stage aligned with the time it took for the murderer to end the lives of 17 people and injure 14 others: approximately six minutes and 20 seconds.

To recap the context:
From Wikipedia and http://time.com/5160267/gun-used-florida-school-shooting-ar-15/
On February 14, 2018, from 2:21pm to 2:27pm, 19-year-old Nikolas Jacob Cruz murdered seventeen people at Marjory Stoneman Douglas High School in Parkland, Florida. Fourteen more were injured. He used a legally bought AR-15 semi-automatic style weapon during the massacre, law enforcement officials told the Associated Press. The highly deadly military-inspired rifle has been the weapon used by several mass shooters. The AR-15 was most notably used during the 2012 shooting at Sandy Hook Elementary School in Newtown, Conn. that claimed 27 lives, including that of the shooter. AR-15-style rifles have been used in recent mass shootings in Aurora, Colo.; Santa Monica and San Bernardino, Calif.
The AR-15 was classified as an “assault-style” weapon and outlawed under the assault weapons ban that lapsed in 2004.

About González’s silence:

From https://www.motherjones.com/politics/2018/03/emma-gonzalez-is-responsible-for-the-loudest-silence-in-the-history-of-us-social-protest/
by Ari Berman

“Six minutes and about 20 seconds. In a little over six minutes, 17 of our friends were taken from us.” That’s how Emma Gonzalez, a senior at Marjory Stoneman Douglas High School and one of the organizers of the March for Our Lives, began her remarkable speech on Saturday afternoon at the rally in Washington, DC.

After reading the names of her classmates who were killed in the mass shooting, Gonzalez stood at the podium in silence for six minutes, fighting back tears. It was an incredible, chilling moment. All of the major cable networks carried it live. “Loudest silence in the history of US social protest,” my colleague David Corn tweeted.

“Never again,” many in the crowd of 500,000 chanted in response. After her timer went off, Gonzalez said, “since the time when I came out here, it has been six minutes and twenty seconds. The shooter has ceased shooting and will soon abandon his rifle, blend in with the students as they escape, and walk free for an hour before arrest,” she said. “Fight for your lives before it’s someone else’s job.” And then she left the stage.

MY EXPERIENCE AND DESIGN NOTE

It didn’t take us long in the crowd to realize what she was doing. If you’ve ever worked in radio you know that broadcasting silence is probably worse than cussing on air. Everything said before this was predictable, except maybe Yolanda; this is not to say meaningless. We know how we are supposed to feel. There can be a banality to the expected emotions of outrage. I have been persistently outraged for a long time. It is hard to hold that authentically for so long. The crowd was uncomfortable in the silence, and I extended my imagination over the crowd to feel their discomfort, to hold it present there, as well as my own. Some people felt moved to chant for change. I felt that too. Nervous laughter. That sort of thing. It was about the not knowing. And then something like a sigh when I heard the timer go off. It sounded like the timer on our old microwave. Done. This was about the feelings of the survivors. She stood there in her pain and the thousands of us could share it only insofar as we are individually able. This is about trauma.

In the process of building this design, it was very hard for me to leave that big white profile unembellished. I went through several versions with something in the space of González’s profile, and each time I told myself, “No. It is silence.” White space on a page correlates with silence when speaking. The words in the background of this design are from González’s spoken words, before she stood silent.