Category Archives: Female Power Project

Act Like People Matter for Frances Perkins

ACT LIKE PEOPLE MATTER for Frances Perkins, a perSISTERS print in the Female Power Project

Frances Perkins (born Fannie Coralie Perkins; April 10, 1880–May 14, 1965) was an American workers-rights advocate who served as the U.S. Secretary of Labor from 1933 to 1945, the longest serving in that position. She made history as the first woman to serve in any presidential U.S. Cabinet. As a loyal supporter of her longtime friend, Franklin D. Roosevelt, she helped make labor issues important in the emerging New Deal coalition. She was one of two Roosevelt cabinet members to remain in office for his entire presidency which took place during the depths of the Great Depression and World War II.

Her most important role came in developing a policy for Social Security in 1935. She also helped form governmental policy for working with labor unions, although the union leaders distrusted her. Her Labor Department helped to alleviate strikes by way of the United States Conciliation Service. –Wikipedia

Like many people at the time, Perkins was moved to work even harder for workers’ rights after the Triangle Shirt Waist Factory fire of 1911. She witnessed the fire herself because she had been at lunch with a friend nearby. She watched in horror as people threw themselve out of windows to die on the pavement to avoid perishing in the fire. After the fire she worked as a workplace inspector for the State of New York.  Many of the workplace safety laws of New York became the blueprint for Federal safety laws.

From Wikipedia:  “The Triangle Shirtwaist Factory fire in the Greenwich Village neighborhood of Manhattan, New York City, on March 25, 1911, was the deadliest industrial disaster in the history of the city, and one of the deadliest in U.S. history.The fire caused the deaths of 146 garment workers—123 women and girls and 23 men—who died from the fire, smoke inhalation, or falling or jumping to their deaths. Most of the victims were recent Italian or Jewish immigrant women and girls aged 14 to 23…. Because the doors to the stairwells and exits were locked—a common practice at the time to prevent workers from taking unauthorized breaks and to reduce theft—many of the workers could not escape from the burning building and jumped from the high windows. The fire led to legislation requiring improved factory safety standards and helped spur the growth of the International Ladies’ Garment Workers’ Union.”

According to the biography by Kirstin Downey, Frances only accepted the post of Labor Secretary once Roosevelt agreed to back her in her goals to enact the Federal initiatives she had sketched out. She brought a list to her meeting with the recently elected President. These were: general relief from the unemployment crisis through a temporary public works program; prohibiting child labor; reduction in working hours; a minimum wage; worker’s compensation for workplace injury; workplace safety regulations; national unemployment insurance; and an old age pension (Social Security). These goals seemed foolishly ambitious at the time, but Frances had plans for how to get nay-sayers to collaborate. She wanted FDR’s agreement that she could at least study how these policies could work while avoiding the worst pitfalls.  “Are you sure you want this done, because you don’t want me for Secretary of Labor if you don’t want these things done.” He agreed. Through her amazing social skills and canny understanding of the powerful men around her, she did it. She did those things. FDR had faith in her, amazingly. The misogyny she had to deal with was absolutely monumental, and the pressure made it impossible for FDR to keep supporting her later on, and her authority and power was undermined through countless hurtful things. Still, lifted up by a foundation of Christian faith—a radical love for humanity—she rallied the powerful to her cause and she did those things.

DESIGN NOTE I got some inspiration from 1930s graphic design. The background image is from a newspaper article from the NY Evening Telegram of March 27th, 1911. It recounts the heroism of Fannie Lansner, who was credited with saving many lives before she jumped to her death from the Triangle Factory. This page is overlaid with the circle and triangle logo of the notorious factory. The colors in this design are inspired by paint colors of the houses of New England, because Perkins was from Maine.

This print was published in September 2021.

SOURCES
The photo of Frances Perkins, circa 1938, from the National Archives, found here: https://exhibitions.ushmm.org/americans-and-the-holocaust/personal-story/frances-perkins

The Woman Behind the New Deal, by Kirstin Downey, 2009.

https://francesperkinscenter.org/life-new/

Hear Perkins’ voice here: http://trianglefire.ilr.cornell.edu/primary/lectures/FrancesPerkinsLecture.html

Newspaper image from here: http://open-archive.rememberthetrianglefire.org/heroic-young-forewoman/

Respect for Aretha Franklin

RESPECT for Aretha Franklin, a perSISTERS print in the Female Power Project

Aretha Louise Franklin (March 25, 1942 – August 16, 2018) was an American singer, songwriter, and pianist. She is called “Queen of Soul”. In 2010, Rolling Stone magazine ranked her number one on its list of the “100 Greatest Singers of All Time” and number nine on its list of “100 Greatest Artists of All Time”. Franklin began her career as a child, singing gospel at New Bethel Baptist Church in Detroit where her father was a minister.

At the age of 18, she embarked on a secular music career as a recording artist for Columbia Records. While her career did not immediately flourish, she found acclaim and commercial success once she signed with Atlantic Records in 1966. Her commercial hits such as “I Never Loved a Man (The Way I Love You)”, “Respect”, “(You Make Me Feel Like) A Natural Woman”, “Chain of Fools”, “Think” and “I Say a Little Prayer” propelled her past her musical peers. Franklin recorded 112 charted singles on Billboard, including 77 Hot 100 entries, 17 top-ten pop singles, 100 R&B entries, and 20 number-one R&B singles. She won 18 Grammy Awards,[3] including the first eight awards given for Best Female R&B Vocal Performance (1968–1975) and a Grammy Awards Living Legend honor and Lifetime Achievement Award. Franklin is one of the best-selling music artists of all time, having sold more than 75 million records worldwide. She was awarded the National Medal of Arts and the Presidential Medal of Freedom. In 1987, she became the first female performer to be inducted into the Rock and Roll Hall of Fame. She also was inducted into the UK Music Hall of Fame in 2005 and into the Gospel Music Hall of Fame in 2012. The Pulitzer Prize jury in 2019 awarded Franklin a posthumous special citation “for her indelible contribution to American music and culture for more than five decades”. In 2020, she was inducted into the National Women’s Hall of Fame.
—Adapted from Wikipedia

When Aretha died, so many excellent writers paid tribute. I am going to lazily quote them here with some links where you can see her perform.

“Franklin’s 76 years on Earth bookended a grand arc of tumult, letdowns, progress, setbacks, terror, and hope in American history. That in itself might not be a remarkable feat so much as a reminder that all black people older than 53 have seen and lived through hell. But Aretha—and that first name is sufficient, as it was in black churches and parlors for half a century—was an architect of a movement as much as a witness to it. She toured with the actors Harry Belafonte and Sidney Poitier to raise money for King’s Southern Christian Leadership Conference in 1967, when the organization was in dire financial straits and was attempting to embark on a Poor People’s Campaign. She was an activist who strained to keep a movement going even after King’s assassination, and who worked to support the Black Panthers and attempted to post bail to free the activist Angela Davis from jail. She loved black people. In this country, that simple fact was radical enough.”

“At her zenith, her main power was in transformation, in taking less potent songs and breathing fire into them. Through sheer force of will, she transformed Otis Redding’s “Respect” from a pleading ballad to a civil-rights staple, a slogan for struggles at the intersection of blackness and womanhood”

“Soul was and is a revolutionary art, and Aretha [the “Queen of soul”] belongs in the broader conversation about this country’s revolutionary heroes with any provocateur or patriot who ever lived.”
—Vann R. Newkirk II
https://www.theatlantic.com/entertainment/archive/2018/08/aretha-franklins-revolution/567715/

“More controversially, in 1971 she publicly offered to pay bail for the black power figurehead and Communist party member Angela Davis, who had been charged with conspiracy, kidnapping and murder for her alleged role in a courtroom escape that had turned into a shootout with the police. “Angela Davis must go free,” Aretha said. “I know you got to disturb the peace when you can’t get no peace.””
—Sean O’Hagan
https://www.theguardian.com/music/2018/aug/19/aretha-franklin-life-of-heartbreak-heroism-hope

“This was the promise of soul: that pain granted depth, and that one was never alone but accompanied by a vibrant community that had crossed too many bridges in order to survive. Franklin was the queen not only of soul music but of soul as a concept, because her great subject was the exceeding of limits. Her willingness to extend her own vocal technique, to venture beyond herself, to strain to implausible heights, and revive songs that seemed to be over—all these strategies could look and sound like grace. She knew that we would need it.”
—Emily Lordi
https://www.newyorker.com/culture/culture-desk/aretha-franklins-astonishing-dr-feelgood

“Franklin sang with a power and conviction that healed. She transformed pain—both others’ and her own—into jubilation.”

““Respect,” originally an Otis Redding song, is best-known as an Aretha anthem. The song became an unofficial rallying cry for both the civil-rights movement and women’s liberation, a powerful addition to the artistic arsenals of both efforts. Franklin’s singing made shared demands impossible to ignore.”
—Hannah Giorgis
https://www.theatlantic.com/entertainment/archive/2018/08/aretha-franklin-natural-woman/567697/

“Franklin has won eighteen Grammy awards, sold tens of millions of records, and is generally acknowledged to be the greatest singer in the history of postwar popular music. “

“What distinguishes her is not merely the breadth of her catalogue or the cataract force of her vocal instrument; it’s her musical intelligence, her way of singing behind the beat, of spraying a wash of notes over a single word or syllable, of constructing, moment by moment, the emotional power of a three-minute song. “Respect” is as precise an artifact as a Ming vase.”

“When I e-mailed President Obama about Aretha Franklin and that night, he wasn’t reticent in his reply. “Nobody embodies more fully the connection between the African-American spiritual, the blues, R. & B., rock and roll—the way that hardship and sorrow were transformed into something full of beauty and vitality and hope,” he wrote back, through his press secretary. “American history wells up when Aretha sings. That’s why, when she sits down at a piano and sings ‘A Natural Woman,’ she can move me to tears—the same way that Ray Charles’s version of ‘America the Beautiful’ will always be in my view the most patriotic piece of music ever performed—because it captures the fullness of the American experience, the view from the bottom as well as the top, the good and the bad, and the possibility of synthesis, reconciliation, transcendence.”

‘ “Aretha gets offended when she thinks you think you’re getting over on her,” Tavis Smiley told me. “It’s hard to know why that line gets blurred from time to time, between making people respect you and self-sabotage. But don’t ever underestimate the power of the personal. ‘Respect’ is not just a song to Aretha. It’s the mantra for her life.” ‘
—David Remnick
https://www.newyorker.com/magazine/2016/04/04/aretha-franklins-american-soul

Video

Performing “Respect” in 1967
https://www.youtube.com/watch?v=EcGjZHvD5q4

Aretha sings “You Make Me Feel Like a Natural Woman” at the Kennedy Center honors and President Obama sheds a tear while Carole King flips out
https://www.youtube.com/watch?v=pT4aRd-hCqQ

Amazing Grace, a documentary released in 2019 presenting the live recording of Aretha Franklin’s album Amazing Grace at The New Temple Missionary Baptist Church in Watts, Los Angeles in January 1972. Available on Amazon, Hulu, etc. This is an article about the film in Vanity Fair: https://www.vanityfair.com/hollywood/2019/04/aretha-franklin-documentary-amazing-grace-making-of-true-story

This print was published in August 2021.

Set Boundaries for Simone Biles

SET BOUNDARIES for Simone Biles, a perSISTERS print in the Female Power Project

Simone Arianne Biles (born March 14, 1997) is considered to be one of the greatest gymnasts of all time. A Wikipedia search will show you how many medals she has earned, and how many records she has broken. She is extraordinarily talented and dedicated to her sport. Her 2018 routine on vault and her 2019 routine on floor exercise are the most difficult ever performed in women’s artistic gymnastics. The four moves named after Biles are the most difficult elements on vault, balance beam, and floor exercise. 

Biles has a very active and influential social media presence and she has used her voice to influence how her sport is run. Here is a link to a really good piece about her influence on gymnastics culture. I don’t think her importance can be exaggerated:

https://www.espn.com/olympics/story/_/id/29455749/how-simone-biles-found-voice-changed-gymnastics-culture

On January 18, 2018, Biles released a statement on Twitter confirming that she was one of the scores of women whom former USA Gymnastics physician Larry Nassar had sexually assaulted. She also called out USA Gymnastics for allowing the abuse to occur, and for subsequently covering it up. USA gymnastics had been for 15 years an authoritarian system run by an abusive trainer called Martha Karolyi. The young women were isolated and controlled, they were broken like horses, so that they would be obedient and completely dedicated to building their gymnastics skills. However, Simone’s coach, Aimee Boorman, took a different path and nurtured Simone as a human, not a gymnastics machine, and encouraged her autonomy. Biles has obviously thrived under this “new” approach. Simone still had to train at the Karolyi camp, but because she was so talented, she had some leverage, and Simone’s parents and coach sought to protect her. Simone’s story is all about pushing the boundaries of the U.S. gymnastics machine, leaping over obstacles, performing at the frontier of excellence, and setting boundaries to protect her mental health.

In the 2020 Olympic games (held in 2021 because of the coronavirus pandemic) Biles withdrew from most of her events, citing mental health concerns. Adapted from Wikipedia: Biles explained that she withdrew primarily due to experiencing “the twisties”, a psychological phenomenon causing a gymnast to lose air awareness while performing twisting elements. Biles made the decision to withdraw after the first rotation of the team final because she felt that she had “simply got so lost [her] safety was at risk as well as a team medal.” Some commentators criticized Biles, accusing her of being a “quitter” or selfishly depriving another athlete of the chance to compete. She was also slandered in the Russian state-owned media. Multiple gymnasts defended Biles’s decision and relayed their own stories of struggling with the twisties. Biles’s decision to prioritize her mental health was generally widely praised and credited with starting a wider conversation about the role of mental health in sports. This discussion was launched earlier in the year by Naomi Osaka, the champion tennis player, when she refused to speak with the press to protect her mental health. Biles showcased that the new U.S. approach to the Olympics is focused on athletes’ well-being rather than only on winning.

Here is an interview with Biles speaking about this: https://www.youtube.com/watch?v=t-4eJ2TZytY

A few weeks after the Olympics, Biles and other gymnasts testified before the Senate Judiciary Committee about Nassar’s abuse of American gymnasts, and how the USA Gymnastics organization—and the FBI—did not protect the athletes from abuse and deliberately failed to address reports of abuse. The gymnasts were clearly angry and in pain during this testimony, and the event shed new light on the stress Biles must have been suffering at the Olympics, so soon before thishearing.

Here is a quote from her testimony:
“Nelson Mandela once said, “there can be no keener revelation of a society’s soul than the way in which it treats its children.” It is the power of that statement that compels and empowers me to be here in front of you today. I do not want another young gymnast, Olympic athlete, or any individual to experience the horror that I and hundreds of others have endured before, during, and continuing to this day in the wake of the Larry Nassar abuse. To be clear, I blame Larry Nassar, and I also blame an entire system that enabled and perpetuated his abuse.”

Here is a link to the transcript of Biles’s testimony on 9/15/2021:
https://www.judiciary.senate.gov/imo/media/doc/Biles%20Testimony1.pdf

Early life

Biles was born on March 14, 1997, in Columbus, Ohio, the third of four siblings. Her parents were unable to care for Simone or her three siblings. All four went in and out of foster care. In 2000, Biles’ maternal grandfather, Ron Biles, and his second wife, Nellie Cayetano Biles, began temporarily caring for the children in the north Houston suburb of Spring, Texas, after learning that his grandchildren had been in foster care. In 2003, the couple officially adopted Simone and her younger sister Adria. Ron’s sister adopted the two oldest children. Simone started doing gymnastics when she was six and started training with coach Boorman at age eight.

This print was published in August 2021.